Homeowner Documents Sasquatch Evidence and Repeated Property Visits
Posted Monday, June 29, 2026
By Squatchable.com staff
There's a fascinating video making the rounds over on Barb Hartman's YouTube channel that every researcher and witness needs to see. It's a firsthand documentation of physical evidence that's been accumulating on her property, and the details are genuinely compelling.
Barb starts off by explaining that she and her family were away for the better part of a year, and when they returned, there was a noticeable shift in activity. She mentions the possibility of a change in clan leadership, which is an interesting theory that aligns with what some long-term researchers have observed about these family groups and their territorial behaviors.
The meat of the video, though, is the physical evidence itself. Barb walks viewers through what she calls glyphs - arranged sticks and wood pieces that form distinct patterns. She identifies a trident glyph (a stem with three prongs), a Y glyph, swirls, and numerous X marks. For anyone unfamiliar with this phenomenon, glyphs are one of the most documented forms of physical evidence in Sasquatch research. Researchers like those involved with the Olympic Project have spent decades cataloging these arrangements, and they consistently appear in areas with reported activity. The patterns often include recognizable symbols like the ones Barb is showing here.
What makes her documentation particularly interesting is the context. She shows a spot near an old storage shed where the clan members apparently sit at night, and points out the compost area where the activity seems concentrated. The glyphs aren't random - they're placed in what she describes as "perfect little seating areas" with what look like windows looking out onto the main property. That's not the kind of arrangement that happens by accident or from natural causes.
One of the most intriguing moments comes when Barb ventures into an area she calls "the playground." She admits she hasn't been in there in over a year, possibly two. When she tries to film inside, something strange happens. Her hand starts shaking, she feels a sensation like wind even though the air is perfectly still, and the footage becomes noticeably blurry despite the area being closer to her than another spot she filmed clearly just moments before. She describes feeling like there's a force pushing back against her camera and suggests there might be some kind of energetic field at work. This kind of reported phenomenon - visual disturbances, physical sensations, and that "pushed back" feeling - comes up repeatedly in witness accounts and is something researchers are still trying to understand.
She also shows a strawberry that was clearly munched on, found near the bottom of some steps where she previously spotted a Sasquatch hiding in a bush. The berry was removed from its original location and placed deliberately. Combined with the arranged wood pieces, it paints a picture of intelligent beings interacting with the environment in purposeful ways.
Barb's husband even weighed in on the wood arrangements, initially dismissing them as kids playing around. But as she points out while showing the remote location and the nature of the property, the idea of children making these specific shapes from scattered wood just doesn't hold up. The arrangements are too deliberate, too symbolic.
This is the kind of documentation that matters. It's not a fleeting glimpse or a questionable photo - it's sustained physical evidence collected over time on a property where activity is ongoing. The glyphs, the seating areas, the visual anomalies in the playground, and the munched strawberry all tell a story.
Definitely worth checking out the full video over on Barb Hartman's channel. The walking tour format gives viewers a real sense of place, and her commentary adds valuable context to what she's finding.